Pulp Empire http://www.fanedit.org/ifdb/media/reviews/photos/thumbnail/300x300s/d5/71/a6/pulp-empire-front-97-1367719523.jpg Hot
There are many visual nods to Tarantino as well, but in no way is this intended to be a new Tarantino film! It's intended as a fun homage to one of my favourite filmmakers, and a remix of one of the best films ever made. Steering away from the Tarantino vibe, I have also included a hero moment for most of the main characters, and thrown in a few songs that Tarantino would never use in a million years... Hope you enjoy it!
Star Wars, Episodes 2-6
Star Wars: The Clone Wars (2D animated series, 2002)
Kill Bill Vol. 1
Ironside (Excerpt) - Quincy Jones
The Grand Duel (Parte Prima) - Louis Bacalov
The Lonely Shepherd - Zamfir
The Flower of Carnage - Meiko Kaji
Crane/White Lightning - The RZA
Super 16 - Neu!
Run Fay Run - Isaac Hayes
Kill Bill Vol. 2
Summertime Killer - Luis Bacalov
A Silhouette of Doom - Ennio Morricone
Il Tramanto - Ennio Morricone
The Chase - Alan Reeves
L'Arena - Ennio Morricone
The Green Leaves Of Summer - Nick Perito
The Surrender (La resa) - Ennio Morricone
The Verdict - Ennio Morricone
Rabbia e Tarantella - Ennio Morricone
Slaughter (Album Version) -Billy Preston
Tiger Tank - Lalo Schifrin
The Man With The Big Sombrero - S. Shelton
Paranoia Prima - Ennio Morricone
Riot In Thunder Alley - Eddie Beram
Baby It's You - Smith
The Last Race - Jack Nitzsche
Good Love, Bad Love - Eddie Floyd
Down In Mexico - The Coasters
The Love You Save - Joe Tex
Strawberrry Letter 23 - Brothers Johnson
Across 110th Street - Bobby Womack
Monte Carlo Nights - Elliot Easton/Tiki Gods
Cissy Strut - The Meters
Other (non Tarantino selections)
They Can Not Touch Her - Bernard Herrmann
Mind Power - James Brown
Space Oddity - David Bowie
Both Sides Now - Joni Mitchell
The Ecstasy of Gold - Ennio Morricone
Leave Home - The Chemical Brothers
O Fortuna - Carmina Burana
Old Man - Neil Young
The Lonely Surfer - Jack Nitzsche
You don't have to say you love me - Dusty Springfield
2) To everyone in the forums who gave suggestions over the past year. Many of those ideas are in the final cut, so thank you for chipping in!
- NTSC DVD-5
- Blu-Ray (BD-25)
2) Added a number of visual references to Tarantino movies
3) Given each main character a hero moment/montage
4) Rebuilt the sound effects from scratch in many scenes to allow for the music replacement and to manage spill as much as possible.
5) Created a non-linear structure, split into complete chapters (Inspired by Kill Bill Vol. 1)
6) Replaced Yoda's dialogue with Pai Mei (Kill Bill Volume 2)
7) Replaced the Millenium Falcon's engine with Stunt Man Mike's from Death Proof
Version 2, August 2014: Better removal of John Williams spill, minor visual fixes/tweaks.
I can't believe it took me this long to get to this one. This edit is perfect. It's an amazing piece of work. At first you might think it would be a weird homage to Tarantino by filling it with references, but the edit was far from it. It takes (imho) the best Star Wars film and makes it Tarantino-esque but only to a degree, because while Tarantino would have carried the film through to a 'cinematic' ending like in Inglourious Basterds, Kill Bill, Django Unchained; Pulp Empire evokes the old school Tarantino of Reservoir Dogs, Pulp Fiction and Jackie Brown ilk, where you don't get that crowd pleasing finale but a thoughtful, resonating end that haunts you for a while. The Neil Young closing to this was absolute genius, the montage put together at theend--I've never seen anything like--it's actually why the prequels exist: for the three minute montage at the end of njvc's Pulp Empire. I loved the out-of-left-field music choices like (!) Bernard Hermann's Taxi Driver theme in lieu of the love theme, and the opening with Morricone's theme from the Lee van Cleef classic "Grand Duel" hooked me. Substituting Pai for Yoda was hilarious and worked perfectly. The best scene in the trilogy (Luke vs Vader) scored to Ecstacy of Gold was great!
Bottom line is--this isn't a simple re-edit or remix of the original. It takes the material and uses style to create something new entirely: that's where the "Tarantino" aspect comes in. But njvc has definitely made this his own by applying deeper meaning and ambiguity to the scenes. The linear cohesion of the original is gone, the story is absorbed upon reflection after viewing, and I personally love those kinds of stories. An amazing edit, and my personal favorite of any I've seen. Score 11/10
I was very skeptical about this edit at first. In fact, I only watched it because I was intrigued by the trailer and I loved the dubbing of Yoda. So I came back and watched a little more of the trailer. Chapter I is a little slow, although the introduction of Yoda is genius and no slower than the original, but I ended up watching everything and continuing with chapter II. That's when I was hooked. Chapter II is brilliant, a masterpiece. The introduction of Darth Vader with the flashback, the battle of Hoth with the use of slow-mo, the seamless editing, the perfect pacing. It all works great, even the music, which at first I thought was just for kicks, gives a superb atmosphere and blends in perfectly with all other elements.
Can't recommend this enough, I loved it.
Okay so if you're a die hard Star Wars fan, you're probably going to be confused by Pulp Empire! A couple of my mates watched it with me when I first viewed v1 and didn't know what to make of it. I absolutely loved this edit, and thought it was time I submitted a review considering njvc has released v2.
It's amazing what has been achieved here! It's not Star Wars as you know it, so don't expect that! It's not even a true Tarantino style film either, but for some reason it absolutely works here! I thoroughly enjoyed Pulp Empire and will continue to watch it to give me inspiration as a fan editor for motivation for my next project.
Thank you njvc for a brilliant piece of film art!
I have viewed this edit multiple times and have updated my review to provide a more unbiased critique.
I loved this edit simply for it's refreshing idea, originality and uniqueness. My initial viewing was done on Vimeo as individual chapters were released. After viewing the entire edit in one sitting, I would recommend breaking it up into chapters.
During multiple viewings, I found myself becoming bored anytime Luke or Vader weren't on screen. The entire plot of Han and Leia in Cloud City became tedious and repetitive. There's an over reliance on slow motion, Tarantino uses slow motion but this edit has it in a large abundance.
There is also an over reliance on music. The edit is almost filled end to end with musical cues. Much like the slow motion, there is a large abundance present and sometimes the music overpowers the dialogue being spoken. Dialogue is a very important part in Tarantino movies and rarely uses musical cues during those scene and if he does they appear near the end for dramatic effect.
From a narrative aspect, the story is told in a non-linear fashion similar to Tarantino's style. However, during the final act there is a flashback to the Cave of Evil where Luke chops Vader's head off revealing his own head in the helmet, which doesn't make any sense. During the actual scene in the movie that scene was replaced by an animated segment from the original Clone Wars cartoon. So having a flashback to a scene that never took place was confusing.
All that being said, I still thoroughly enjoy this edit. The Luke and Yoda scenes are very enjoyable and are perfectly scored, even the training montage. The Vader introduction is masterly executed and the final fight is a joy to watch. I would recommend it to anyone who likes Tarantino movies, likes Star Wars, or is just looking for something that is fresh and unique. The sound overpowering the dialogue is why I gave the audio editing a 9 and the flashback is why I gave the narrative a 9.
As a fan of both Tarantino and Star Wars, I found this concept both entertaining and fascinating. It was great to see Empire in a new light, and with such damn style too! Great inclusion of the animated scenes from "Clone Wars", and Vader's montage introduction was stunning (of course, each montage was pretty damn impressive). Soundtrack was great, although I could see one or two songs that Tarantino would never touch himself. This edit is definitely going to stay in my collection!